You may think that when Somik and I talk
about the blog in the real world that it’s rarified conversation over port
about the merits of various musical styles, undertaken in high-backed chairs in
the more salubrious gentleman’s clubs.
Sadly, it’s mostly about fonts and editing.
Back in those halcyon days when I could
actually have been called a Music Journalist – Capitalised For Your Pleasure –
I had a year of reviewing followed by a year of editing. Except, as came up in one of our recent
conversations, what I was good at as an editor wasn’t, well, editing, but more
along the lines of getting free stuff.
In these digital times, it’s difficult –
not too difficult, but still – to
imagine the idea of a physical release with a set release date and no access to
the material prior to that unless you were ‘in’ with the record company. Now,
songs are leaked on YouTube months before official release, and on file-sharing
no doubt. When it does actually come out, you can get the digital version from
a dazzling variety of outlets, from the artist’s own website to the digital
storefronts, without ever having to change out of your pyjamas, shave, and
leave the house to confront the existential terror of the record-store shop
assistant’s judgmental attitude.
Fortunately, I was very good at getting
free stuff in the form of advance copies of albums.
Unfortunately, I had a lot of trouble
letting go of that once I was done as a student journalist.
In the weird transitional period between
graduating and getting a Real Job™ I did try to keep it going by running a
short-form blog (long since dead, sadly, with the entries going down with the
ship) but I only managed to actually factually score a single pre-release, and that
was a Kidda EP.
After that, the rot set in.
It could in point of fact be said that it
was when I stopped getting free stuff that I no longer found a place for music
in my day-to-day life other than what was playing on the radio, aside from the
occasional album purchase from the local Tesco.
It took an act of kindness by a good man
before I actually started caring about music again, but even then that was only
priming an old and dusty pump that needed a hell of a lot of oiling before I
thought about approaching Somik about this whole crazy music blog shenanigan.
That act was simple, but unexpected; I’d
started talking music with one of my peers (although, thanks to circumstance,
my peers were no longer my contemporaries, and that needs attributing and
explaining at a later date). He’d already persuaded me to try listening to
Tinie Tempah and B.o.B, and I’d gone out and, yes, bought copies from the local
supermarket.
When it come to My Beautiful Dark Twisted Fantasy, though, which he couldn’t
recommend highly enough, I mentioned that I couldn’t find a copy in my local
shops.
So when I got home I found, unexpectedly, a
gift copy of the album waiting for me on iTunes. An unexpected gift is always a
great thing, but it kind of shocked me out of my musical complacency.
(Thank you, Cameron.)
Like I say, it took a long while before I
actually thought about asking Somik about starting up a music blog, and as you
can see, of the two of us he’s the one who really knows about music. I’m just an opinionated, new-media fixated,
run-on sentence using oddbody.
Let’s actually approach the point of this
piece, though; last week, I bought
Push The Sky Away (from Amazon, which
has changed since the last time I bought an MP3 album from them; Amazon Cloud? Really?) and, having listened to it
twice, I sat down and tried to write a review.
Then I realized it had been TEN FREAKING YEARS since I’d even tried
to write an album – or single, remember those? – review, and the scaffolding of
my reviewing brain started to collapse.
(In case you were wondering, Somik’s
working on an album review as well, but in his case I think the delay’s more
about waiting for a physical copy – So
Twentieth Century – than my psychological issues.)
That review will follow shortly once I’ve
rewritten it, and I hope more album reviews will come out of this blog as well.
But – for me at least – it’s no longer about judgment, as it used to be – i.e.
rendering a cohesive argument or opinion on something and trying to persuade
You, The Reader that that opinion is the one truthful truth; now, it’s just
about talking about the music.
Heaven knows, after all, that I’m a talker.
So, loyal readers – I’m assuming there’s at
least one of you – sorry about the
hiatus. Blame it partly on the problem of atrophied neural circuitry and,
latterly, on the release of the new Iron
Man 3 trailer, because you can lead a film geek to music, but you can’t make him think.
"There's my boys."
- James
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